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Learning Resources/Basic Chromatic Harmony

Basic Chromatic Harmony

Discover the chromatic harmony found in Richard Wagner, Anton Bruckner, and Richard Strauss, which stands as the foundation of modern film music. Chromatic harmony has been used extensively throughout the history of music, from Baroque music to the rich, expressive harmonic colors of Romanticism and Impressionism. Its influence has been heard in the works of prominent Hollywood composers such as John Williams, Howard Shore, Alan Silvestri, and many others.

RD

Robert Davis

Instructor

5 modules ยท 21 video lessons

Intermediate

What you will learn

A study of chromatic harmony and examining various harmonic progressions used to make a smooth transition from one chord to another. Learn various chord types for tonicization: secondary dominants, diminished, half-diminished, augmented, augmented sixth, and Neapolitan sixth chords.

  • Dominant chains
  • Common resolutions
  • Chromatic sequences
  • Chromatic modulation
  • Parallel chord sequences
  • Chromatic mediants

Course Content

Previews Available
5 Modules21 Video Lessons

  • Course Materials
  • General Course Information
  • Notes on Opening Music

General course information

  • All lessons are video-based and supplemental study material is available in PDF format.
  • Progression examples are provided as separate downloadable course materials (PDFs).

Instructor

Robert Davis

Robert Davis

Composer & Music Theory Educator

Robert Davis is a composer who specializes in diversity. He has no particular style that he sticks to. Having spent most of his study in his early years trying to understand the complex chromatic harmony of Wagner and Mahler, he wrote his first symphonic poem at age 19 in a harmonic style similar to Wagner's Tristan und Isolde.

This landed him a big job in the sample library industry when very few "big" computer libraries existed. Here he was a consultant as well as a Demo creator for Garritan Orchestral Libraries. Eventually, he worked for MakeMusic (the creators of Finale notation software) creating demos and consulting, before branching out on his own.

Currently, he has dedicated the last two years honing his harmonic language by consistently and religiously learning new styles. As it stands, Robert feels just at home creating a Piano Concerto that sounds like it could have been created by a Late Romantic composer, or writing a Ragtime piece. His pursuit is musical mastery of many styles.

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